C major (5th of F) resolves to D minor (new key).įor a change in sound/scenery (but with the same melody material), once finished with the melody and are back on the tonic, begin the new section down a fourth.Ĭan be from any diatonic chord, using melody to lead into any of the three chords tones of the major tritone chord. Set up a chord - move instead to the chord a minor 3rd below the chord it was moving to.Į.g. F minor (1st of current key), Eb major (b7th of current key), A major (while pedalling the Eb), D major or minor. When ending a phrase on the b7th major chord (the dominant of a possible new key, a minor 3rd above the original) take a couple of bars to establish a new dominant, the major chord a b5th above, whilst pedalling the b7th.Į.g. C minor (1st of current key), F minor (4th of current key), F#major (b6th of new key) Bb minor (1st of new key.) Sorry if any are confusing, kinda just jumbled them out, and have never fixed them up.Ĭhanging Key and Feeling from minor to major - Can be from any diatonic chord, using melody to lead into any of the three chords tones of the tritone chord (the b6 of the new key)Į.g. I have more, but I've gone old school with a little notepad to write things down in now.
Here are some I had written down from transcribing. Wonder how long it took to get that dove shot? I don't think there's a better way to kick things off than with Bonnie Tyler.
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